» » U2 - Boy

U2 - Boy download free

Genre: Rock
Performer: U2
Title: Boy
Style: New Wave, Pop Rock
Date of release: 1980
Country: UK
MP3 album size: 1199 mb
FLAC APE album size: 1186 mb
WMA album size: 1635 mb
Digital formats: VQF ADX MMF RA MP4 ASF AHX
U2 - Boy download free

Tracklist

A1 I Will Follow 3:37
A2 Twilight 4:23
A3 An Cat Dubh 4:46
A4 Into The Heart 3:27
A5 Out Of Control 4:12
B1 Stories For Boys 3:04
B2 The Ocean 1:35
B3 A Day Without Me 3:12
B4 Another Time, Another Place 4:31
B5 The Electric Co. 4:47
B6.1 Shadows And Tall Trees 4:36
B6.2 Untitled 0:38

Companies, etc.

  • Recorded At – Windmill Lane Studios
  • Mastered At – The Sound Clinic
  • Distributed By – EMI Records Ltd.
  • Manufactured By – EMI Records Ltd.
  • Published By – Blue Mountain Music Ltd.
  • Phonographic Copyright (p) – Island Records Ltd.

Credits

  • Bass – Adam Clayton
  • Crew – Amigo O'Herlihy*, John Kennedy , Pod
  • Design, Layout – Bono, Rapid Exteriors
  • Drums – Larry*
  • Engineer – Paul Thomas
  • Engineer [Assistant] – Kevin Moloney
  • Guitar – The Edge
  • Management – Paul McGuinness
  • Management [Agent Dublin] – Dave Kavanagh*, Road Runner
  • Management [Agent London] – Ian Wilson , Wasted Talent
  • Mastered By – John Dent
  • Photography By [Boy] – Hugo McGuinness
  • Photography By [U2] – Phil Sheehy
  • Producer – Steve Lillywhite
  • Tour Manager – Tim Nicholson
  • Vocals – Bono
  • Written-By – U2

Notes

Relased with "All Rights Of The Producer...." mentioned on labels.
This release has a short (approximately 30 seconds) unlisted and uncredited track at the end of the second side after "Shadows and Tall Trees." The track is not separated into its own band on the vinyl though it is visibly discernible.

Barcode and Other Identifiers

  • Matrix / Runout (Side A, Variant 1, Etched): SOUND CLINIC
  • Matrix / Runout (Side A, Variant 1, Stamped): ILPS 9646 A-2U
  • Matrix / Runout (Side B, Variant 1, Stamped): ILPS 9646 B-1U
  • Matrix / Runout (Side A, Variant 2, Stamped): ILPS 9646 A-2U-1-2 D
  • Matrix / Runout (Side B, Variant 2, Stamped): ILPS 9646 B-2U-1-1 D
  • Matrix / Runout (Side A, Variant 3): ILPS 9646 A-2U Jonz
  • Matrix / Runout (Side B, Variant 3): ILPS 9646 B-1U 42 SOUND CLINIC

Other versions

Category Artist Title (Format) Label Category Country Year
ILPS 9646 U2 Boy ‎(LP, Album, EMI) Island Records ILPS 9646 UK 1980
422-842 296-2 U2 Boy ‎(CD, Album, RE) Island Records 422-842 296-2 US 1990
PHCR-4701 U2 Boy = ボーイ ‎(CD, Album, RE) Island Records PHCR-4701 Japan 1993
10.202913.50 U2 Boy ‎(LP, Album) Island Records, Dacapo 10.202913.50 Portugal 1980
7 90040-4, 90040-4 U2 Boy ‎(Cass, Album) Island Records, Island Records 7 90040-4, 90040-4 US 1980


Discussion about U2 - Boy
Aedem
Boy. What else is there to say? It's U2. Early U2. It's Rock, actually Post-punk since the era for it was beginning to close. Bono's vocals, Edge's guitar effects, Adam's deep bass, Larry's blitzkrieg drums. The band was just starting out in Ireland, and like most bands, you have to start out sounding like something else that already exists before creating your own sound. Most bands start out like this and U2 is no exception. At least the album is very decent in terms of the genre.I Will Follow: Bono laments the loss of his mother years before, Edge uses high strung guitaring with some clean sound. Larry runs down on the drums with toms and snare triplets. Adam goes up and down on the bass. The song has sounds of shattering glass (or christmas ornaments?) and some chimes.Twilight: Edge opens with some solo riffs and it immediately goes into song. Bono has some shallow vocals and jumps around in his singing especially "TWI-LIGHT!". Not much to say about this song, but it runs well with the album.An Cat Dubh suite: I basically call the next three songs "An Cat Dubh" (or The Black Cat) suite. I do this primarily because each song segues into the next ending with Out of Control and ends the first side of the LP version.An Cat Dubh starts very slow and remains that way for most of the song, but sounds a lot like marching. Into the Heart is very calm and not very full. Little to no drumming and Edge runs a echoing guitar with Adam doing a simple bass line. Out of Control returns to a punk rock sound starting with Adam pounding a bass line which The Edge then enters and Larry starts hitting the hi-hats in 16th notes. The song shows what's to come later on the album.Stories for Boys: From their U2 Three EP, Stories for Boys opens the second half of the album with similarity to Out of Control. Not much to say on this song, again.The Ocean: Shortest track (I think U2's shortest "actual" track out of their whole career). Not much to say. Very deep guitar and bass, ocean sounds.Day Without Me: U2's first single from the album. Opens with Edge using longer delay and some phaser. Fast bass strumming from Adam and Bono's shouting vocals about his own struggle within. Wishing for "A Day without me". Edge (or Bono?) provides some very high pitched vocals near the last minute of the song.Another Time, Another Place: Another punk song. The funniest thing I heard on the album "Ay-ya ya, Look at her, she's so beautiful", Bono completely sounds like he's lost in his own thoughts.The Electric Co./Shadows and Tall Trees: Both songs segue into each other. Electric Co. provides some delay triplets coming from the Edge and Larry starts crashing those cymbals. This song, I feel, has the easiest lyrics to sing along to, though Bono is fast-paced this time. The false fade out gives the song more feel as Bono ad lib.s through the rest of the song after Edge's solo. Right when Co. finishes, Tall Trees immeadiately starts with a calm tone. Over the course of the song, the chorus is multi-tracked with a chorus of voices singing "SHADOWS, SHADOWS". This resembles some of the much that comes in their later works. The song slowly fades out too.Untitled – I really saw no point in this track. You can't tell what's going on, but it sounds like it's recording something in an auditorium with a brass band going off..... Good end to an album?Boy is a good starter album for U2. I have to give it 4 stars though because even though it delivers, half the tracks bear similar resemblence in Bono's singing. Edge's use of effects and riffs go hand in hand with the rest of the guys. This album showed what was to become of U2 before the next albums "October" and "War" were conceived.
U2 - Boy related music albums